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NYC | December 21, 2014

For the final chapter of the 2014 season, Sunday Salon welcomes five incredibly talented wordsmiths to the stage, including two contributors to the newly-published, much celebrated anthology, All about Skin: Short Fiction by Women of Color; a Baltimore-based poet who writes keenly about race; and two NY writers with guaranteed riotous stories. Come listen. Buy a book or two or four (hey, they make great gifts) and raise a glass to a wondrous literary year and beyond! 7 PM at Jimmys no. 43.
All About Skin cover 200x300 NYC | December 21, 2014
Glendaliz Camacho was born and raised in the Washington Heights neighborhood of New York City. Her writing has appeared in All about Skin: Short Fiction by Women of Color (University of Wisconsin Press, 2014), Southern Pacific Review, and The Acentos Review, among others. She was a 2013 Pushcart Prize nominee and is currently working on a short story collection.

Ailish Hopper is the author of Dark~Sky Society (2014), selected by David St. John as runner up for the New Issues prize, and the chapbook AilishHopperBook 211x300 NYC | December 21, 2014Bird in the Head (2005), selected by Jean Valentine for the Center for Book Arts Prize. Individual poems have appeared in Agni, APR, Blackbird, Harvard Review Online, Ploughshares, Poetry, Tidal Basin Review, and other places. Her essays on art and literature that deal with race have appeared in or are forthcoming in Boston Review, The Volta, and the anthology, A Sense of Regard: Essays on Poetry and Race. She also blogged on that subject for Best American Poetry. A native of DC, she lives in Baltimore, and has received support from the Baltimore Commission for the Arts and Humanities, the MacDowell Colony, Maryland State Arts Council, and Yaddo, and teaches at Goucher College and in the visual art MFA program at University of Maryland Baltimore County.
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Gary Percesepe is Associate Editor at New World Writing (formerly Mississippi Review) and a Contributor at The Nervous Breakdown. He is the author of seven books, including itch, a collection of flash fiction, and falling, a poetry collection, both published by Pure Slush Press. Percesepe’s next book, Why I Did the Grocery Girl, will collect stories published over the past twenty years. He lives in White Plains, New York.

Ivelisse Rodriguez has published or has work forthcoming in All about Skin: Short Fiction by Women of Color, the BudSmithBook 223x300 NYC | December 21, 2014Boston Review, Aster(ix), Ragazine, Kweli, the Bilingual Review, and other journals. In December 2010, she was nominated for two Pushcart Prizes for her fiction. She holds a Ph.D. in English-creative writing from the University of Illinois at Chicago and an M.F.A. in creative writing from Emerson College. She has finished a collection of short stories entitled Love War Stories and is working on a novella about Salsa musicians.

Bud Smith’s recent books are the novels Tollbooth and F-250, and also the poetry collection Everything Neon. He works heavy construction in New Jersey, and lives in Washington Heights, NYC. He’s online at www.budsmithwrites.com.

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Sunday Salon NYC is turning 11!

Come celebrate Sunday Salon NYC’s 11th year of literary love and community at the June 16, 2013 reading!

Introducing A Tale of Four Cities

A Tale of Four Cities is an online literary magazine featuring fiction and creative nonfiction set in real locations in four cities — New York, London, Mumbai, and our first featured city, Dubai. This magazine seeks to highlight the similarities and differences between our cities, creating a cultural mosaic of writers and locations in a world that has grown increasingly small.

Check out it out here: www.talefourcities.com

A Reading in New York

By Alhaji Abdul-Rahman Harruna Attah, Managing Editor of The Accra Daily Mail, Ghana

This article first appeared in The Accra Daily Mail

The arts, it is said, enhance what science makes possible. Those societies that have found the right mix between science and the arts also somehow manage to get the development equation right. It certainly sounds like a cliché but any society that is made up of only science breeds automatons and when only the arts dominate, romantics take over… It’s almost like Kwegir Aggrey’s axiom of the black and white keys of the piano: Both are needed to create harmony.

Two editions ago of The Accra Mail I reported on Vice President John Mahama’s literary pursuits and his book-in-progress, “My first Coup d’etat”. For me it was most propitious, for if a Ghanaian politician at that level would find the time to write, then perhaps we are beginning to witness the birth of the “philosopher kings” which not only Ghana but other African nations need to break out of the cycle of poverty, ignorance, disease and underdevelopment.

There are other Ghanaians of course engaged in similar pursuits – a new corps of young people, who are making serious writing their business and encouragingly some of the most promising ones are young women. There is Farida Bedwei with her “Definition Of A Miracle”, Alba Kunadu Sumprim with “The Imported Ghanaian”, Nana Ekua Brew-Hammond with “Powder Necklace”, Ayesha Harruna Attah with her “Harmattan Rain”.

These are young women with the abilities and capabilities to pursue other disciplines but chose to take the literary path. Farida’s case is particularly poignant. Disabled by a neurological ailment since childhood, she pursued a course in computer programming and has become a competent expert in the field. Defying all odds of her disability she’s been able to take up writing in addition to her “normal” day’s job.

Nana Ekua is a cum laude graduate of Vassar College in the US who has written for Bluefly, AOL, Parenting Magazine, the Village Voice, Metro and Trace Magazine. Powder Necklace is her debut novel and is loosely autobiographical. Other writings include “Bush Girl”, “The Whinings of a Seven Sister Cum Laude Graduate Working Board as as Assistant”.

Ayesha majored in Biochemistry at Mount Holyoke College, also in the US. She spurned the medical field in favour of a journalism programme at Columbia where she earned her MSc. It was after this that she worked on Harmattan Rain which was short-listed last year for the Commonwealth Writers Prize, Best First Book, African Region. She has just graduated with a second Masters Degree from New York University.

In New York last Sunday, Ekua and Ayesha joined Jess Row, a young American writer once named as a “Best Young American Novelist” and Cynthia Morrison Phoel another American writer to read extracts from their works: Two Ghanaian young writers rubbing shoulders with their US contemporaries in this very crowded and difficult field. It was not their first public reading and certainly not the last. It is one of the platforms they use to showcase their works and make sales – when possible. Both Ekua and Ayesha have spoken of the immense difficulties faced – from idea conception to distribution and sales – but with determination, not resignation. They held their own against their American colleagues exhibiting the kind of confidence needed to persevere to take over from the Achebes, Ayikwei Armahs, Ngugis and the other African literary giants who are now in the twilight of their years.

Even though over the years different Ghanaian governments have published cultural policies to advance the country’s arts, none has been able to go beyond the politics of it and give it meaning. For the likes of Farida, Alba, Ekua and Ayesha to contribute in enhancing life, they need the support at home to fully actualize their creative potentials…

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Marie-Jeanne Fethiere

Marie-Jeanne Fethiere was raised and educated in England. She studied law, and has experience with industrial democracy and community outreach. She went on to marketing and developing a curriculum for multicultural education in the UK. Fethiere came to the States largely engaged in marketing for pharmaceuticals, but is currently concentrating on rediscovering her love for photography using a mixture of vintage and new technology. She is an intuitive photographer in mostly street, architecture, informal portraits, abstract and macro, with a particular love for documenting the people and places of her Brooklyn where she was born.

Stash Hempeck

Stash Hempeck received a BA in History from the University of Minnesota, Morris, and an MFA in Creative Writing from Minnesota State University Moorhead. Prior work has been published in Red Weather, Ottertail Review, River Poets Journal, Manorborn, and lovechild. Three of his poems were included in the anthology County Lines, produced in celebration of Minnesota’s sesquicentennial. Born to an immigrant German/Russian father and a mother whose people came to the New World in 1630, he comes from a long line of peasants who earned their livelihood by tilling the soil, and by working with wood. He is the only offspring in his immediate family to graduate university. Currently he lives in northwestern Minnesota with his youngest son, three dogs, two cats, a flock each of chickens and ducks, and a budding truck garden enterprise.

Erika Dreifus

Erika Dreifus is the author of Quiet Americans: Stories, a collection inspired by the experiences and histories of her paternal grandparents. Erika read from Quiet Americans at the April 2011 Sunday Salon in New York City. Visit Erika online at www.erikadreifus.com.

Len Kuntz

Len Kuntz is a writer from Washington State and an editor at the online literary magazine Metazen. His work appears widely in print and online. Len’s story collection, “I’m Not Supposed To Be Here And Neither Are You” debuts from Aqueous Books next year. You can find him and his writings at lenkuntz.blogspot.com

Kathy Fish

Kathy Fish’s short fiction has appeared in Indiana Review, The Denver Quarterly, New South, Quick Fiction, Guernica, Slice and elsewhere. She was the guest editor of Dzanc Books’ Best of the Web 2010. She is the author of three collections of short fiction: a chapbook of flash fiction in the chapbook collective, A Peculiar Feeling of Restlessness: Four Chapbooks of Short Short Fiction by Four Women (Rose Metal Press, 2008), Wild Life (Matter Press, 2011) and Together We Can Bury It, the 2nd printing of which is forthcoming from The Lit Pub.

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Nita Noveno and co-host/fellow New School grad Caroline Berger keep a refreshing blend of new and experienced literary voices on tap at Stain Bar every third Sunday of the month and online in the Sunday Salon zine.

Nita Noveno and Caroline Berger Nita Noveno is a graduate of the New School MFA Creative Writing Program. She founded the Sunday Salon series in the summer of 2002. She has most recently been published in Lost and Found: An Anthology of Teachers Writing and Worldview and was a finalist for the Missouri Review's 2005 Jeffrey E. Smith Editors Prize. Nita read at the July 2002 Salon.

Caroline Berger lives in up-and-coming Bed Stuy (she's waiting patiently). Her proetry (that's not a typo; she likes to make up her own genres) has appeared most recently on La Petite Zine and Pindeldyboz and in Barrow Street. She is the co-host of the Sunday Salon and once used all 7 letters in a game of Scrabble to spell e-t-i-o-l-a-t-e. She teaches writing at The New School & has recently succumb to the world of blogging: Apocalyptic Whimsy. Caroline read at the August 2002 Salon.